There’s no doubt that how we communicate about love has changed significantly with the advent of smartphones and social media. This is especially noticeable in romantic movies, where some of the most common tropes were based on the fact that distance was a great source of drama. Will they or won’t they cross paths again? Will he or she get the message before it’s too late?
Nowadays, love letters are relegated to period pieces and war movies, unless a writer finds a crafty way to work them into the script (think Big emailing Carrie love letters from famous men in Sex and the City). Our real-life expressions of love are much shorter, crisper, and less poetic (or less schmaltzy, depending on how you look at it) thanks to our cynical 21st-century sensibilities.
So, I thought it would be interesting to look at four movies from days gone by that would be markedly different if the characters had smartphones and social media at their disposal. These romantic classics are undoubtedly products of their eras, when screenwriters didn’t have to ask, “How can I get my characters to lose their smartphones?”:
1.) Roman Holiday (1953)
Audrey Hepburn plays a princess who’s bored out of her mind and escapes from her guards during a trip to Rome. During her jaunt around the city, she encounters American journalist Joe Bradley, played by Gregory Peck, who shows her the time of her life. They gradually fall in love, and though Joe eventually realizes that his companion is the missing princess, he keeps her secret (and the photographs of their time together) safe. When he briefly encounters her at a royal press conference, they wonder what might have been.
21st century ending: A fake Twitter account about the princess’ romp around Rome immediately springs up, gaining 200,000 followers in under 5 minutes. Joe is offered $5 million for his photos of the princess and he refuses to hand them over. But his email is hacked and the photos are uploaded to the Internet anyway. The princess continues to be hounded by paparazzi and is named one of Barbara Walters’ most fascinating people.
2.) An Affair to Remember (1957)
This 1957 movie is a real bummer, as illustrated by Rita Wilson’s emotional breakdown in Sleepless in Seattle. Terry and Nicky, both engaged to other people, meet on a cruise and realize they’re falling for each other. They agree to get their lives in order and meet at the top of the Empire State Building six months later. But on the way, Terry gets hit by a car and is severely injured. Nicky assumes he’s been rejected and moves on with his life. He only realizes years later that the whole thing was a tragic misunderstanding.
21st century ending: The to-be lovers exchange info on the cruise – just email addresses, in case one of them is a serial killer. Terry suggests meeting on top of the Empire State Building in six months, Nicky wonders why all the drama (Terry posts a comment about romance being dead on Facebook). But she never gets hit by a car because they Skype chat instead. A year later, Nicky proposes to Terry, and she changes her status to “Engaged.”
3.) Coming to America (1988)
Eddie Murphy plays an African prince about to be married off to a princess who’s been trained to do whatever he wants. But ever the romantic, he wants to find true love and embarks on a quest to find his future in queen in, well, Queens. He gets a job at a McDonald’s rip-off and lives in the most meager accommodations he can find, in hopes of finding a woman who loves him for who he is. Eventually he finds Lisa, an intelligent and independent woman who steals his heart, much to the chagrin of his parents.
21st century ending: Prince Akeem (Murphy) goes on Match.com to find his bride. But his best friend Semi spills the beans on Twitter that Akeem is a prince. When word gets out, he’s offered his own reality series not unlike The Bachelor called Finding Prince Charming. He offers a rose/proposal to Lisa in the very last episode and she accepts. Their wedding inspires African prints on Pinterest wedding boards that year.
So there you have it. While it’s pretty great that we don’t have to wonder if the great loves of our lives have been hit by taxis or thwarted by random events, technology is a thorn in a screenwriter’s side when it comes to building up romantic drama. To text or not to text, that is the question.
This article is adapted from a post that originally appeared on This Wonderful Word and The Huffington Post.